This current series “ReShape, ReColor, ReWork” starts by altering or skewing personal imagery, from photos of architecture both interior and exterior, changing the orientation of angles between line and form, resulting in a distortion of the perceived. This first skewing of perception serves as the base of her composition – shape/structure. This supports the second, the relationship of color. The relationship of color and how the viewer observes it is significant to her process. The shape and color then support the third level -- layering of symbols, patterns, and textures reworked from distinct traditions.